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Feature Film Assistant Editor Immersion 1.0 + Bingo Night By Master The Workflow
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  • Feature Film Assistant Editor Immersion 1.0 + Bingo Night By Master The Workflow

Feature Film Assistant Editor Immersion 1.0 + Bingo Night By Master The Workflow

$65.00

Media Type: Online Course
Delivery Time: 1-24 hours.

  • Description

Description

Feature Film Assistant Editor Immersion 1.0 + Bingo Night By Master The Workflow – Instant Download!

FEATURE FILM ASSISTANT EDITOR IMMERSION

LEARN THE PROFESSIONAL FEATURE FILM & TELEVISION EDITING WORKFLOW

Jumpstart your career in feature films and television for the major Hollywood studios, networks and streaming services.

THE COURSE

The Feature Film Assistant Editor Immersion

Our curriculum applies to films & television of ALL budget sizes and teaches you — in detail — the professional editing workflow from start to finish and the assistant editor’s role in managing a cutting room from pre-production to final delivery. The online, video-based lessons can be completed at your own pace and are modeled from our years of experience making feature films & television for major studios, networks and streaming services.

3 REASONS YOU SHOULD START
THIS COURSE TODAY

Streaming (SVOD)
revenue in the United States
from 2011 to 2020

Feature Film Assistant Editor Immersion 1.0 + Bingo Night By Master The Workflow

01.GLOBAL
DISTRIBUTION

By 2024 ALL streaming services will be available worldwide.

02.REVENUE

In 2020 streaming services won 2.1 billion dollars, 37% more than the previous year.

03.QUANTITY

The competition is FIERCE! Warner Media, Disney, Apple and others all launched new streaming services. Film & TV production is at an ALL TIME HIGH!

THE PROOF?

What Our Students Have To Say

Mark B. (Los Angeles, CA)

THESE TOOLS REALLY, REALLY HELP!

“This program has been nothing but eye-opening. It gave me the confidence to handle the projects I’ve worked on! I wish this was the class and the teachers I had in school. This program has been the key to my success!”

Irene C. (Los Angeles, CA)

MTW WAS THERE WHEN I DIDN’T KNOW WHAT
ELSE TO DO!

“The program was so helpful when I had a question or when I needed anything. It’s really nice to know that I have this with me in case I need it someday! Good to know that I can always count on Master The Workflow!”

What You’ll Learn Inside

01 – Module

Pre-Production

-Terms, concepts and paperwork
-Initial meeting with your editor
-The pre-production and post pipeline meetings

02 – Module

Setting Up

-Setting up the cutting room
-Peripheral software needs
-Setting up the project
-Avid project layout and bin organization
-Avid ISIS organization
and workspaces

03 – Module

Digital
Codebook

-Globals, continuity, wall cards & shoot progress reports
-The Core Codebook – Walkthrough
-The Core Codebook – Continued
-Lists & Logs – 1
-Lists & Logs – 2
-Reports
-VFX Database
-Petty Cash Tracker

04 – Module

Principal Photography

-Lab Dailies
-Syncing Dailies Manually
-Dailies – Continued
-Using ScriptSync
-Dailies Paperwork

05 – Module

Editorial

-Music & Sound FX Organization
-Visual Effects Prep & Tracking
-Editorial – Part 3
-Spotting Sessions
-Previews & Test
Screening
-Editing Room Diplomacy

06 – Module

Finishing

-Visual Effects
-Picture Turnovers
-Change Lists &
Re-balancing
-Sound Turnovers
-DI Stage, Mix Stage,
Deliverables & Wrap-up

MEET YOUR INSTRUCTORS

Lawrence Jordan, ACE

Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He recently completed the independent feature film Later Days.

Richard Sanchez

Richard Sanchez works as both a visual effects editor and an assistant editor. He’s assisted on the films Suicide Squad, Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu’s Catch-22 and Bill & Ted Face The Music. He is currently working on a new series for Marvel Studios.

The Feature Film Assistant Editor Immersion course comes with valuable bonuses you won’t find ANYWHERE else!

THE DIGITAL CODEBOOK

The Digital Codebook is a comprehensive set of custom designed and connected FileMaker Pro databases, which Richard used on his last three films, including Catch-22 for Hulu, Bill & Ted Face The Music, and his current project, the series Sweet Tooth for Netflix.
Nearly two years in the making, The Digital Codebook tracks picture, sound, visual effects, script notes, continuities and every other facet of the editorial process. It even has a section that tracks petty cash.